{"id":532,"date":"2026-08-15T18:36:37","date_gmt":"2026-08-15T18:36:37","guid":{"rendered":"https:\/\/lacorreacreativa.art\/oleos\/"},"modified":"2026-08-16T16:34:48","modified_gmt":"2026-08-16T16:34:48","slug":"oleos","status":"publish","type":"page","link":"https:\/\/lacorreacreativa.art\/en\/oleos\/","title":{"rendered":"\u00d3leos"},"content":{"rendered":"
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Technique<\/p>\n

Oil on canvas<\/h1>\n

The technique of my longest-running series: figure, color and symbolic weight.<\/p>\n

Las 6 piezas de esta t\u00e9cnica est\u00e1n en colecciones privadas. Puedo crearte una: cu\u00e9ntame qu\u00e9 tienes en mente<\/a>.<\/p><\/div>\n<\/section>\n

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How do I work with oil?<\/h2>\n<\/div>\n
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Oil allows the work to be built slowly, layer by layer, letting the color, texture and matter evolve during the process. Its drying time allows going back over the painting, refining it and working each element until finding the sought balance.<\/p>\n

It is the technique of Flamencas<\/em>, which explores the world of flamenco: the strength and fragility of the female figure, the movement of the dress and the symbolic weight of its elements. Given its presence and format possibilities, oil on canvas is especially suited to works meant to hold a leading place within a space.<\/p>\n

When a commission requires a large-format piece, the process begins with a conversation about the space, the intention and the characteristics of the work. From there I develop composition proposals before starting to work on the canvas.<\/p>\n<\/div>\n<\/div>\n<\/section>\n

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Works in oil<\/h2>\n
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\n\t\t\t\t \"Flamenca<\/a>\n\t\t\t\t \"Flamenca<\/a>\n\t\t\t\t \"Flamenca<\/a>\n\t\t\t\t \"Flamenca<\/a>\n\t\t\t\t \"Flamenca<\/a>\n\t\t\t\t \"Flamenca<\/a>\n\t\t\t\t \"Flamenca<\/a>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\tVendida<\/span> <\/div>\n
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Flamenca clavel<\/a><\/h3>\n\t\t\t\t \n <\/div>\n\t
Originals<\/div>\n\t\t
\n\n\t\t\t\t <\/div>\n
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\n\t\t\tRead more<\/span><\/a> <\/div>\n <\/div>\n<\/div>\n<\/div>
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\n\t\t\t\t \"Mestiza.<\/a>\n\t\t\t\t \"Mestiza.<\/a>\n\t\t\t\t \"Mestiza.<\/a>\n\t\t\t\t \"Mestiza.<\/a>\n\t\t\t\t \"Mestiza.<\/a>\n\t\t\t\t \"Mestiza.<\/a>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\tVendida<\/span> <\/div>\n
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Mestiza<\/a><\/h3>\n\t\t\t\t \n <\/div>\n\t
Originals<\/div>\n\t\t
\n\n\t\t\t\t <\/div>\n
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\n\t\t\tRead more<\/span><\/a> <\/div>\n <\/div>\n<\/div>\n<\/div>
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\n\t\t\t\t \"Flecos.<\/a>\n\t\t\t\t \"Flecos.<\/a>\n\t\t\t\t \"Flecos.<\/a>\n\t\t\t\t \"Flecos.<\/a>\n\t\t\t\t \"Flecos.<\/a>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\tVendida<\/span> <\/div>\n
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Flecos<\/a><\/h3>\n\t\t\t\t \n <\/div>\n\t
Originals<\/div>\n\t\t
\n\n\t\t\t\t <\/div>\n
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\n\t\t\tRead more<\/span><\/a> <\/div>\n <\/div>\n<\/div>\n<\/div>
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\n\t\t\t\t \"Miles<\/a>\n\t\t\t\t \"Miles<\/a>\n\t\t\t\t \"Miles<\/a>\n\t\t\t\t \"Miles<\/a>\n\t\t\t\t \"Miles<\/a>\n\t\t\t\t \"Miles<\/a>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\tVendida<\/span> <\/div>\n
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Miles Davis<\/a><\/h3>\n\t\t\t\t \n <\/div>\n\t
Originals<\/div>\n\t\t
\n\n\t\t\t\t <\/div>\n
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\n\t\t\tRead more<\/span><\/a> <\/div>\n <\/div>\n<\/div>\n<\/div>
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\n\t\t\t\t \"I<\/a>\n\t\t\t\t \"I<\/a>\n\t\t\t\t \"I<\/a>\n\t\t\t\t \"I<\/a>\n\t\t\t\t \"I<\/a>\n\t\t\t\t \"I<\/a>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\tVendida<\/span> <\/div>\n
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I will come to you, river<\/a><\/h3>\n\t\t\t\t \n <\/div>\n\t
Originals<\/div>\n\t\t
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\n\t\t\tRead more<\/span><\/a> <\/div>\n <\/div>\n<\/div>\n<\/div>
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\n\t\t\t\t \"Primavera<\/a>\n\t\t\t\t \"Primavera<\/a>\n\t\t\t\t \"Primavera<\/a>\n\t\t\t\t \"Primavera<\/a>\n\t\t\t\t \"Primavera<\/a>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\tVendida<\/span> <\/div>\n
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Primavera en Par\u00eds<\/a><\/h3>\n\t\t\t\t \n <\/div>\n\t
Originals<\/div>\n\t\t
\n\n\t\t\t\t <\/div>\n
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\n\t\t\tRead more<\/span><\/a> <\/div>\n <\/div>\n<\/div>\n<\/div><\/div>\r\n<\/div>\n
View all works<\/a>Commission a piece<\/a><\/div>\n<\/section>","protected":false},"excerpt":{"rendered":"

T\u00e9cnica \u00d3leo sobre lienzo La t\u00e9cnica de mis series m\u00e1s largas: figura, color y carga simb\u00f3lica. \u00bfC\u00f3mo trabajo el \u00f3leo? El \u00f3leo permite construir la obra lentamente, capa a capa, dejando que el color, la textura y la materia evolucionen durante el proceso. Su tiempo de secado permite volver sobre la pintura, matizarla y trabajar …<\/p>","protected":false},"author":0,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-532","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/lacorreacreativa.art\/en\/wp-json\/wp\/v2\/pages\/532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lacorreacreativa.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lacorreacreativa.art\/en\/wp-json\/wp\/v2\/types\/page"}],"replies":[{"embeddable":true,"href":"https:\/\/lacorreacreativa.art\/en\/wp-json\/wp\/v2\/comments?post=532"}],"version-history":[{"count":4,"href":"https:\/\/lacorreacreativa.art\/en\/wp-json\/wp\/v2\/pages\/532\/revisions"}],"predecessor-version":[{"id":716,"href":"https:\/\/lacorreacreativa.art\/en\/wp-json\/wp\/v2\/pages\/532\/revisions\/716"}],"wp:attachment":[{"href":"https:\/\/lacorreacreativa.art\/en\/wp-json\/wp\/v2\/media?parent=532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}